A thought provoking short film by CHRIS FLOYD commissioned by global renewable energy company RES, featuring the wonderful CONNIE SAVORETTI.
So simple… ‘Even A Child Could Understand It'…
A thought provoking short film by CHRIS FLOYD commissioned by global renewable energy company RES, featuring the wonderful CONNIE SAVORETTI.
So simple… ‘Even A Child Could Understand It'…
Phil films two intrepid little swimmers on an unusually quiet beach at Broadstairs...
Perhaps, next time they could check Surfers against Sewage interactive map before swimming..
We’re delighted to be able to share Joseph Ford's recent campaign for LEGOxAdidas.
We Are Social created a campaign to highlight the endless creative possibilities of the LEGO Adidas Originals Superstar, encouraging wearers to get creative with their designs...
Joseph was commissioned to capture still life photography and stop motion stills of stunning LEGOxAdidas collaborations with six unique creators - @afrokickz , @ornamentalconifer , @helsoe , @178kz_boy , @tomyoo23 and @letasobierajski .
Phil Fisk shoots Royal Ballet choreographer Wayne McGregor for Observer.
“Famed for his cerebral experimentation and edgy imagination… he had no access to elite ballet schools growing up. But he did have John Travolta and disco to spark a lifelong obsession.”
He “has spoken of dance in iconoclastic ways: as an opportunity to “misbehave beautifully”…
What a wonderful concept!!
Such beautiful shots too :)
We're delighted to share some of the moving image captured by PHIL FISK for the new series of INTERGALACTIC on SKY.
Motion posters featuring Eleanor Tomlinson, Savannah Steyn, Sharon Duncan Brewster, Imogen Daines, Diany Samba-Bandza and Natasha O'Keefe can be viewed here.
#timetobreakfree.
Self confessed art geek collector Russell Tovey discusses how he fundamentally believes art can change the world. Hero.
Ever wondered about the correct cut of sandwich for a Sunday Drive?
Or the rules of the game "Curious Horse"?
Or the whereabouts of the Cross of Greet...?
CHRIS FLOYD takes an enlightening "Sunday Drive" through Lancashire's Forest of Bowland with fashion designer PATRICK GRANT.
Film and photography commissioned by BMW.
We are super excited to announce that both CHRIS FLOYD and his photography will feature in a 6-part series “Icon: Music Through the Lens”, described as a“rollercoaster ride through the rich history and cultural impact of music photography”, showing on SKYArts from November 2020.
in Chris’ own words…
“I’m blown away to have me and my work featured in this massive 6-part series on the story of music photography, alongside these icons of the game, many of whose work I gazed on with obsession as a younger photographer. As Baron Wolman puts it so eloquently here, “it’s the fuckin’ best job in the world.”
and it’s definitely ONE TO WATCH!!
A poetic study of a rose, filmed by PHIL FISK in his tiny flower recording studio at home.
Beautiful soundscape by his good friend Alan Fairnie.
…or Phil just passing the time.
A left over prop skull was transformed by time lapse, and stylist Vic Twyman, over several days in lockdown.
Phil commented on the project that, “the edit started to border on horror but was eventually rested in somber reflection. I hope. And it was all achIeved in a garden shed… except the edit.”
The beautiful soundtrack was created by Phil’s mate Alan Fairnie.
Taking a look at behind the scenes at PHIL FISK’s lockdown photography and moving image shoot at Park Village Studios. The entire production was conducted with strict adherence to AOP / APA COVID-19 Guidelines.
Here’s a short film capturing ‘Behind The Scenes’ action on the shoot day at Park Village Studios.
PHIL FISK explores the concept of SEPARATION in an emotive motion portrait featuring the compelling connection and interplay between 2 dancers on a lockdown set at PARK VILLAGE STUDIOS.
A few words from Phil…
“The entire project was shot under during the lockdown but after restrictions had been lifted to allow some industry return. Inevitably some of these restrictions would limit what we could achieve but instead I chose to turn this on its head and make these barriers part of the story.
The project was a response to the pandemic, alluding to the concept of being apart but still remaining connected.
The direction of the film was simple - to leave the dancers opportunities to improvise in the space we had created. There is a meeting, a build up to the connect and inevitably a parting.
The sound designer Ali Friend came on board after we sent him the edit. The heartbeats create a rhythm to the film with the two beats building and going in and out of synch as the film progresses. Ali perfectly captured the “space “ that the dancers exist in…making that space seem larger and deeper than it was in reality.”
HUGE thanks to:
Director/Photography: Phil Fisk, DOP: Adrian Wolfson, Studio: Park Village Studios, Live Streaming: Raw Capture, 1st AC: Rory Mulvey, DT: Berit von Enoch, Stylist: Victoria Twyman, MUA: Juliana Sergot, Producer: Liam @ Thirdberg, ProducerAssistant: Naomi Bergau, Casting Director: Rowena Pointer at Kate and Lou Casting Agency, Talent: Lee Bridgman and Louis McMiller at Simon Howe Associates, Health and Safety: First Option, Composer: Ali Friend
CHRIS FLOYD shoots a series of shorts about the SLEAFORD MODS entitled SOLD OUT.
Late at night, when everyone's tucked up in bed and all the world's fast asleep...
...JASON from SLEAFORD MODS tiptoes out of the house to rehearse in his car. Here’s "SECOND".
Turn up the volume! It’s POWERFUL STUFF!
Creative endeavours at JOSEPH FORD's home-school...
With a little help from his apprentice assistants he's been creating some lego-busting wrecking-ball footage.
In November 2019, JASON WILLIAMSON and ANDREW FEARN of SLEAFORD MODS asked CHRIS FLOYD to make a film about their biggest gig to date at Hammersmith Apollo (or Odeon, depending on when you came of gig-going age).
In these times it feels rather surreal to see crowds of people in such close proximity to each other, which makes the footage and the performance all the more compelling viewing...
Here's the footage of the band performing 'TWEET TWEET TWEET'!
A breath-taking new commission by JOSEPH FORD for SCHÖN MAGAZINE.
Exploring the challenges of teen life, Paperboy is a metaphor for being a little bit different.
The amazing Jaina Minton dedicated an unreasonable amount of her time (blood, sweat and tears!) to creating Paperboy’s suit. Huge shout out to Sid who managed to keep calm inside the Paperboy suit for two days!
Since 2016, Berry Bros. & Rudd, London wine merchants founded in the 17th century, have commissioned a different artist each year to design the label for their much loved 'Good Ordinary Claret'. In 2019 Iain Forsyth and Jane Pollard were commissioned to produce the label and they recreated a long forgotten Victorian invention - the multigraph - which, by clever arrangement of mirrors, allows people to be photographed in such a way as to render 5 versions of the sitter, all at different angles in the final image. Iain and Jane adapted the original invention by laster cutting the bottle's silhouette into the edges of the two mirrors that meet in the middle and slotting the bottle into the available hole. This clever trick and use of 21st century technology allowed for a final image with just one bottle but 5 wine glasses, the idea being that 'one bottle may nourish many glasses'. This photographed image then became the label for Berry Bros. & Rudd 2019 Good Ordinary Claret.
Phil explores aspects of portraiture in motion with these carefully observed pure, simple and very beautiful studies of Yvonne and George.