Phil Fisk - The Grove / AOP Awards

During the lockdowns of 2020 (when official skateparks were closed), a group of enterprising skaters found an abandoned car park near the South Circular and established the beginnings of “The Grove”…

Phil Fisk captured the story of the space in this wonderful film, which we are delighted to announce is a finalist in the Documentary Category at this year’s AOP Awards

In an abandoned pub carpark on the A205 in South London, local kids were creating ramps and an assortment of skate park structures, splicing old gas canisters, wooden planks, pallets, bags of cement, rubble, drinks cans, abandoned sofas - anything and everything, to create their own home-grown skatepark - and likewise establish a safe place for themselves, away from the traffic, the pandemic and authority.

Safe… if you discount the odd broken wrist and elbow graze.

Safe… as an outdoor space where anyone with or without a board could hang out.

Initially they were chased away by security guards but soon found support for their endeavours from local residents, councillors and even Dulwich College Estate who own the land.

Phil filmed the steady transformation of the abandoned space, during the days and nights as winter drew in - “trying to capture the atmosphere, tricks (and constructions) as they happened without interfering with the natural flow of the space.”

The film opens with a shot of the sun coming up over a large tree… set against a soundscape of distant traffic, scrapes and clatters, skateboard wheels rolling over concrete and snippets of caught conversation, the resulting film is beautiful, contemplative and ultimately hopeful…

Phil hopes it, “feels something like a compressed day in the life of The Grove in which 6 months feels like 24 hours.”

Although the future is uncertain, it looks as if, for now, The Grove is here to stay…

 

Joseph Ford - Lego / Adidas

We’re delighted to be able to share Joseph Ford's recent campaign for LEGOxAdidas.

We Are Social created a campaign to highlight the endless creative possibilities of the LEGO Adidas Originals Superstar, encouraging wearers to get creative with their designs...

Joseph was commissioned to capture still life photography and stop motion stills of stunning LEGOxAdidas collaborations with six unique creators - @afrokickz , @ornamentalconifer , @helsoe , @178kz_boy , @tomyoo23 and @letasobierajski .

Source: https://vimeo.com/601091390

Phil Fisk - Wayne McGregor / Observer

Phil Fisk shoots Royal Ballet choreographer Wayne McGregor for Observer.

Famed for his cerebral experimentation and edgy imagination… he had no access to elite ballet schools growing up. But he did have John Travolta and disco to spark a lifelong obsession.”

He “has spoken of dance in iconoclastic ways: as an opportunity to “misbehave beautifully”…

What a wonderful concept!!

Such beautiful shots too :)

Phil Fisk - Time Passing...

…or Phil just passing the time.

A left over prop skull was transformed by time lapse, and stylist Vic Twyman, over several days in lockdown.

Phil commented on the project that, “the edit started to border on horror but was eventually rested in somber reflection. I hope. And it was all achIeved in a garden shed… except the edit.”

The beautiful soundtrack was created by Phil’s mate Alan Fairnie.

Joseph Ford - Schön Magazine / Paperboy - FILM

A breath-taking new commission by JOSEPH FORD for SCHÖN MAGAZINE.

Exploring the challenges of teen life, Paperboy is a metaphor for being a little bit different.

The amazing Jaina Minton dedicated an unreasonable amount of her time (blood, sweat and tears!) to creating Paperboy’s suit. Huge shout out to Sid who managed to keep calm inside the Paperboy suit for two days!

41 282_Paperboy_Joseph_Ford_1323_02.jpg

Chris Floyd - Good Ordinary Claret for Berry Brothers

Since 2016, Berry Bros. & Rudd, London wine merchants founded in the 17th century, have commissioned a different artist each year to design the label for their much loved 'Good Ordinary Claret'. In 2019 Iain Forsyth and Jane Pollard were commissioned to produce the label and they recreated a long forgotten Victorian invention - the multigraph - which, by clever arrangement of mirrors, allows people to be photographed in such a way as to render 5 versions of the sitter, all at different angles in the final image. Iain and Jane adapted the original invention by laster cutting the bottle's silhouette into the edges of the two mirrors that meet in the middle and slotting the bottle into the available hole. This clever trick and use of 21st century technology allowed for a final image with just one bottle but 5 wine glasses, the idea being that 'one bottle may nourish many glasses'. This photographed image then became the label for Berry Bros. & Rudd 2019 Good Ordinary Claret.